Favorites | Koh-I-Noor Woodless Colored Pencils

In The Studio

Colored pencils. One’s as good as the next, right? Eh, not exactly. And with the rising popularity of coloring books for grown ups, the humble colored pencil is also getting a bit more attention.

I’ve seen a lot of questions in Facebook groups about best or favorite colored pencils and the answer is almost unanimous that Prismacolor is the pencil to use. And I have nothing against Prismacolor, I have a set of their colored pencils and their art sticks, they are readily available in arts & crafts stores and even Office Depot.

Koh-I-Noor Woodless Colored Pencils – Set of 24 (affiliate link)

It was at Office Depot, wandering the pencil and pen aisles, that I came across a pack of Koh-I-Noor woodless colored pencils. They were on clearance so I gave them a try, and they’ve been my go-to pencils ever since.

Why do I love them so much? Oh, let’s count the ways:

  1. All colored core, no wood.Whereas most colored pencils are made up of a narrow pigmented core surrounded by a wooden barrel, these pencils are all color. That means you don’t have to worry about sharpening them only to have the point break (or the core to fall out in a chunk, like can happen with cheaper pencils) and repeating the process over and over until you’re left with a nub. I’ve used the pencils mostly at conventions for sketching and have never had the points break on me.
  2. Heavier than traditional colored pencils.The colored core is heavier than the wood that would usually take up the bulk of the pencil, so these woodless colored pencils have a really nice heft to them and feel really good in my hands. Traditional colored pencils feel positively flimsy compared to the Koh-I-Noor pencils
  3. Brilliant color that goes on super-smooth, even on copy paper.Of course, the most beautifully made pencil in the world isn’t much good if the color sucks. What you’re coloring on makes a difference in how your pencils are going to perform, but the Koh-I-Noor pencils do great on regular printer paper as well as thicker, textured papers meant for watercolors, etc. This comes in handy for me, since I used them on the dedication pages of my book. That paper is very similar to what most of the adult coloring books are printed on, making it a really good choice for this sort of use.

Now, Prismacolor Art Stix share the all-core, no wood property and have brilliant color, but they also tend to rub off on hands or wherever you set them that’s not their tray. The Koh-I-Noor woodless colored pencils have a thin coating on the barrel that keeps the color from rubbing off on me or anything other than when I mean them to. Prismacolor is supposed to be erasable but I have not had good experiences getting that to work,even on light marks. Amusingly enough, the Prismacolor white vinyl eraser works fabulously on the Koh-I-Noor pencils. Go figure.

My contact over at Oriental Trading let me know that there’s a coloring contest going on over there with 3 free coloring pages available. So go to http://www.orientaltrading.com/s3-otlovestocolor.fltr, pick your favorite page, color it, share a picture on Instagram using #OTLovesToColor #contest AND @orientaltrading. A grand prize winner and 5 runner’s up will be announced on February 15.

I had trouble picking a favorite page until after they were colored, and I used a different set of pencils on each.

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Follow your arrow is colored with Prismacolor…

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Dream without fear is colored with Koh-I-Noor…

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And Love is patient is colored with the Lowel-Cornell watercolor pencils from the Portable Plein Air Creative Mischief Kit. I thought the watercolor look would work well for the floral bouquet.

Doesn’t come as much of a surprise, the Koh-I-Noor colored dreamcatcher was my favorite, and the one I shared on Instagram.

And while I’m on the subject, if you discover that you really enjoy working with colored pencils, you might be interested in checking out The New Colored Pencil by Kristy Ann Kutch.

The New Colored Pencil by Kristy Ann Kutch (affiliate link)

Not only does The New Colored Pencil go into how colored pencils are made and reviews many different pencils on the market, it has sections dedicated to techniques for wax-based colored pencils (what most people think of when colored pencils come up), water-soluble colored pencils (like the ones in the Creative Mischief Kit, above), and wax pastels and hybrid art creation. This book will take you beyond mere coloring pages and into creating your own art with the very versatile pencils. I was sent a copy for review and I flip through it often for inspiration alone–lots of awesome artsy eye-candy!

 

 

A Tree for Every Room: Gilded Dining Room Tree

In The Studio

jvanderbeek_cmas15-1122

Last year I had a goal to really do up the house for Christmas, including (as the title suggests) a decorated tree for each room. Between a convention in Mississippi in the middle the month and sheer end of the year exhaustion, it didn’t happen. I got 2 trees decorated and Todd put the lights on the big tree on the landing, but that’s as far as I got.

I did, however, order supplies for the dining room tree, so I was set to get started this year! Over on the Helmar blog I have step-by-step instructions of how I made the kitchen-themed garland for the centerpiece of my tablescape. Here’s the rest of the story, as it were.

I started with a simple artificial tree from Big Lots. It was the right size, but it was green, and the picture in my head was of a white and gold scene. So I used a tip from Jen over at EPBOT to flock our tree with spackling. Only thing was, all the spackle we could find was the heavier stuff, but there was spray spackle on the shelf and we decided to give that a shot. It worked perfectly and didn’t even take a full bottle to cover the little tree. If I find the second tree we bought (but is currently buried in the Christmas closet) it will be no problem to do it up as well.

Once flocked and the garland made, it was time to add a few more items. I didn’t want to overwhelm the tiny tree, so I added a single strand of white LED lights and a strand of small pearls to balance the heavier wood and gold garland. And it’s the dining room, it’s okay to dress up!

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Finally, I made some ornaments from a set of metal chocolate molds. I used an awl to punch small holes in the top and bottom of each mold and wired a loop at the top with gold wire to attach a hook. From the bottom hangs a large faux pearl.

I still need more to really fill out the tablescape–one tree isn’t going to cut it–but for now this is a really good start. I love seeing the tree on our dining room table when I walk through the room and I’m really excited to go get our big tree for upstairs this weekend!

 

Hang out the Red, White, and Sparkly

In The Studio

Jokes about appliance holidays aside, today is Veterans Day–the day we are not-so-gently nudged to remember that freedom is not free and that we owe an immeasurable debt of gratitude to our military members, past and present, for their service to our country.

Thank you.

Over on the Helmar blog, today, I have my crafty send-up to patriotism in the form of my Starred and Spangled Banner:

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Head over to the Helmar Design Team blog and see how I made it (and how you can easily make one, too). For those of you who have the day off (I do not), enjoy the midweek break.

2015 Digital Scrapbooking Day

In The Studio

A lot of people, when they hear my blog name or email address, assume that the “scraps” in Scraps of Life refers to scrapbooking. That’s not the case (it actually represents the bits and pieces–aka scraps–of time and experiences that make up our lives) but it’s true that I’ve been into scrapbooking since the late 90s, back when the landscape was wild and the supplies were few. My how things have changed (in, um, 17 years).

If you’ve hung around here long enough, you know I’m the crafty sort and I do love my papers and glue and for the longest time I swore I’d never give them up! I still haven’t, but I did broaden my horizons back around 2006 or so when I started fooling around with digital scrapbooking–turns out, I really liked it!

Even though I have most of my supplies for traditional, paper, scrapbooking I mostly use them for other projects these day. Instead, I’m 99% digital when I do make the time to scrapbook. Why?

  • Digital elements don’t get used up
  • Digital elements don’t take up a lot of space (well, physical space… my external hard drive is another matter, but storage gets cheaper every day!)
  • You never run out of glue
  • You can change the color of a paper or embellishment if it’s not quite right
  • Unfinished layouts are easy to save and come back to

I can’t tell you how many times I’ve held onto a particular piece of patterned paper because it was so pretty and I didn’t want to use it up because it was now discontinued. Or how I once borrowed my mom’s SUV to go to a scrapbook retreat because it meant I could bring more supplies. OR how frustrating it is to have the perfect thing for a layout but it clashes horribly with everything else I want to use. The struggle is real, and the supply bills are high!

Digital kits and elements also tend to be a lot less expensive than their physical counterparts. Add to that the fact that most of our photos these days are digital, you save money by not having to make prints for scrapbooking (not to mention the ease of resizing images to fit just so) and you can still print out your pages and put them into albums.

An unexpected benefit from digital scrapbooking was learning to use Adobe products (I took a course from Scrap Girls back in the day on how to scrapbook with Photoshop Elements 3.0–I think 12 just came out? No, wait, we’re on version 14 now) that made it so much easier when I started my webcomic and needed to do some digital post-processing. I’ve also dabbled in creating my own digital papers and elements, including this little mini kit (from back in 2012) which is kinda perfect for this time of year! In honor of Digital Scrapbooking Day (which is the first Saturday in November, aka tomorrow), I’m putting this little set up for grabs (for free!).

HMD_harvestfruit_preview600Get your free kit here!

More recently I got bit by the Project Life bug. I love that it’s quick and easy and the templates are so much fun to use. I bought a physical kit to put together an album of years of family photos for Mom a couple years ago, then I switched to their digital options for my own stuff. Here’s a smattering of some of my recent layouts

From our wedding album (which I really need to get on the ball with!)

From our wedding album (which I really need to get on the ball with!)

From our honeymoon (I still have a lot to do on this book, too)

From our honeymoon at Disney (I still have a lot to do on this book, too)

Halloween 2015! After all, the everyday is what makes the most memories...

Halloween 2015! After all, the everyday is what makes the most memories…

And one of last year's conventions.

And one of last year’s conventions.

Will you be doing any scrapbooking this weekend, digital or otherwise?

It’s November 4th, Do You Know Where Your Christmas Cards Are?

In The Studio

What does November 4th have to do with it? Nothing specifically, just that–as various Facebook friends and email lists like to remind me–we’re 7 1/2 weeks or 51 sleeps away from Christmas. I’m already seeing gift guides in my inbox and on some blogs. I shudder to think how early the Black Friday sales are going to start (and I don’t mean on Thanksgiving, I mean I’ve already received one email with that subject line this week).

Makes you want to head for the eggnog, doesn’t it?

While you can shop up until the last few moments of December 24th, if you wait until then to send out your Christmas or Hannukah greetings, you might as well call them New Year’s cards because that’s about when they’ll arrive. The time, my friends, to make plans and take actions for timely holiday happy mail is now.

So what are your options? In relative order of acquisition ease…

  • Pre-Made boxed card sets;
  • Photo cards on a prefab background;
  • Custom-designed cards; and
  • Handmade cards

First of all, there’s absolutely nothing wrong with boxed cards you buy by the dozen: sign, stamp, done. If you want to you can even dress them up a little with some well-chosen embellishments. One of my most popular articles from my eHow days was How to Embellish Store-Bought Cards (I haven’t the foggiest why it’s on that blog and not eHow; I’m guessing Demand Media sold it, as was their right, since I was on a work-for-hire contract back then.)  The only real issue I have with boxed cards are my tendency to buy them and never send them out. Kinda defeats the purpose, right?

Photo cards are also a good way to go if you have a great family picture from earlier in the year or can organize one pretty soon. I don’t recommend waiting until Thanksgiving for this one, since that’ll be cutting it close by the time prints come back or you’ll be forced to pay exorbitant shipping prices to get them in time to send before the holidays. We did one the year we got married (thanks to a speedy turn-around of our November wedding pictures). I did the layout and design and ordered them as postcards from Overnight Prints (whom I prefer over the more common VistaPrint option, though there’s nothing wrong with VP, I use them for other things without any complaints).

"Wishing you the happiest of holidays and toasting to good fortune in the coming year!"

The picture came from our wine-blending unity ceremony and I thought it was pretty perfect for a holiday “toast.”

Todd and I aren’t generally mug for the camera types, though, so photo cards require planning. Instead, I’m much more likely to put my illustration skills to use and design a custom card for us.

One year I designed and screen-printed (on my Print Gocco) this funky monkey Christmas Card (printed in white on a navy linen background)

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See, instead of Ho Ho Ho, Santa Monkey says Oh Oh Oh!

And then, the year we ended up moving the week before Christmas (fun times!), we sent out combo At Home/Christmas Cards:

front and inside copy, address omitted

front and inside copy, address omitted (even though we’re not there anymore)

But I don’t just use my artistic talents for myself, I’m available for hire, too! (Just email me!) Last year I was commissioned to create a card with a dragon in a Santa hat, reading a book in front of a fire…

Please note the book title: Fiery Tales

Please note the book title: Fire Side Tails

And earlier this year I was commissioned to create a blog header of caricatures of the author and her family members. While not a Christmas card, I’m sure you can see the possibilities. Plus you could have a large print made up and framed for your gallery wall.

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This flying high family caricature could be used on a number of printed items, on a Facebook header, and is 100% unique to them.

A few things to keep in mind if you decide to order a custom illustration for your holiday cards (or any other time):

  1. Budget. Truly custom illustrations are going to run you about the same price as a mid-range photo session (at least in my area). I know that there are folks on Etsy offering family “portrait” illustrations for  $50 or less and I honestly don’t know how they can do it for that and pay themselves a living wage. My prices start at $75 for a single subject (aka 1 person or figure) and go up depending on how many people, animals, etc. you want included. A good illustrator will work with you to find a way to work within your budget by giving you options, but don’t expect them to work for free. After all, you’re not just paying them for the time they spend putting together your custom illustration, you’re paying for their unique skill and style, honed over years of practice.
  2. Timeline. The earlier the better is always a good rule of thumb. Depending on the number of “moving parts” to a commission and the number of revision rounds you go through, you want to allow a couple of weeks for a custom illustration. So, for Christmas cards, now is the time to find your illustrator and ask if they have any openings.
  3. Communication. Unlike ordering a card design through a print on demand service, custom illustrations require back and forth communication. The way I work, we start with a consultation where you tell me what you want, show me some samples of things you like from around the web, and I ask a few questions to get a better feel for the project. After that I prepare a round of sketches or mock-ups (usually 3 options, unless we’re dealing with a very specific request) and I ask you to pick the one you like best and for any changes you’d like made. I come back with the revision, you sign off on it, then I create the final art. If you’re going to be out of town or in an Internet dead zone for a few days during the process, send up a flare so I’m not wondering if you’ve changed your mind all of a sudden.
  4. Contracts. You might think a simple thing like a card illustration wouldn’t need anything more than an email agreement, but I urge you to reconsider. A good contract answers the important questions: who, what, where, how much, and–most importantly–by when. It protects both you and I, and I don’t even start sketching on your job until the contract is signed and a deposit is paid. I’d be wary of anyone who starts work without a written agreement in place as you have no recourse should the unthinkable occur and they disappear on you.

Finally, handmade cards are a way to get the custom treatment without any art or computer skills required. I put it last on the list only because it takes more of a time investment on your part compared to the other options, but can be the most rewarding knowing that you made them with your own two hands! But time investment is relative–there are lots of ways to make handmade cards that can be done in just a few hours. I’m a fan of the assembly line method for making holiday cards: do all the cutting at once, do all the stamping or stenciling in one go, put everything together, then add final embellishments. But just because you’re approaching them like an assembly line, doesn’t mean you have to make them all the same, either.

Winter Whimsy Cards

Winter Whimsy Cards (we also have a set that’s red & green, our Classic Christmas option)

Above are just four examples of the twenty cards you can make with one of my CPR Holiday Creative Mischief Kits from The Crafty Branch. (CPR stands for Cards Prepared and Ready, by the way.) For $40 you get everything you need to make 20 cards, that’s only $2 per card, including cutting diagrams and card “recipes” to get you started putting everything together. It’s up to you how you use the included stencil to embellish the cards (dry embossing, stamping, or texture paste supplies are included). Plus you’ll have paper left over to make gift tags, scrapbook layouts, or even more cards. Order your kit here and it’ll be on its way to you the next day.

So again I ask… it’s November 4th, do you know where your Christmas cards are?