Front view of my paper sculpture for the Art House Co-Op

The Future of the Year

Projects

No to be too lofty or anything, that was my prompt as part of the Art House Co-Op Mystery Project.

I received a card with the prompt on it and a Prismacolor marker in leaf green and had to create a project of some sort and then place it out in public to be “discovered.”

With such a prompt as “the future of the year” I immediately thought about a calendar. About pages fluttering in the wind. “Blowing in the Wind” to be more exact. With something like seeds… flowers? something like a dandelion coursing along the wind.

So imagine my delight in finding a little pocket calendar with a purple flower on the cover, reminiscent of dandelions, to use as the base of my project!

Front view of my paper sculpture for the Art House Co-Op

I removed the first 7 calendar pages–through the end of 2012–and mounted them to card stock, painted them with watercolors in blues, greens, yellows and a red here and there, and then cut out the swirling shapes. Each side was embellished with the provided Prismacolor pen, the painted fronts with a dot-and-dash pattern and the plain backs with hash marks. Of course, if I’d thought about it earlier, I would have used the Morse code for “the future of the year”, but that was an afterthought.

Close-up side-view of my paper sculpture for the Art House Co-Op Mystery Project

The remaining pages of the book were glued together using a Neutral pH Adhesive (altered art friends in the past called it Perfect Paper Adhesive) in groups of 3, then every other section was folded in half to spread out the signature a bit, and secured with washi tape. The extended page groups were painted with green-tinted gesso and edged with more washi tape, the folded groups with purple acrylic. The painted tendrils were attached to the page groups so they looked as if they were crawling out of the calendar.

Rear view of my paper sculpture for the Art House Co-Op Mystery Project

The covers were loosely brushed with the same tinted gesso as well as the promt card, which was then glued to the back cover. The plastic sleeve went back onto the covers to protect it, and a pom pom in purple and white crochet thread was taped onto a toothpick with floral tape and inserted between one of the center page groups and the nearest tendril. To “answer” the question the prompt began, I wrote “begins today” on the rear tendrils. Splatters of metallic watercolor paint were added to the entire project, just to rough it up a bit. (Frankly, I think more of the splatters ended up on me than the pages, but that’s the price you pay for playing with paint.)

View of the weighted base for my Art House Co-Op Mystery Project paper sculpture

Because my paper “sculpture” is fairly light-weight, I decided it needed an anchor. Digging through a  box of “alterables” I’ve been collecting throughout the years, I found the lid of a Harry & David truffle container just the right size and practically the right color.  I painted over the label on the top, loosely brushed the sides (again, with the tinted gesso), and then edged the sides in the same washi tape that edged the page blocks. To weight it down I glued some clear glass pebbles into the base, positioning the pages and pebbles in a way to keep them open and secured.

My hidden message on the bottom of my paper sculpture for the Art House Co-Op Mystery Project

Finally, a message was added to the bottom of the base:

I am not litter! I am a public art project in conjunction with the Art House Co-Op. For this project my artist was given a certain color of marker and a prompt: “the future of the year.” She took those elements & created me! Please take me home or put me somewhere else so others can enjoy me. Or contact  my creator: randomactscomics@gmail.com.

I’m still trying to decide where to place my paper sculpture (I have until the end of the month), but it’s my hope it doesn’t find its way immediately into the garbage. Maybe I’ll even hear from whoever finds it if they happen to look at the bottom!

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Speaking of the future: I just realized that last week’s post on story-telling brought us to the mid-point in the 64 arts! Are you looking forward to the last half as much as I am?

Progress Pictures: Broken Ties

64 Arts, Projects

Now that I’ve told the story of what inspired the change from trivet to mixed media art, I thought it’d be a good idea to share some in-progress pictures for those that are interested in processes.

prepping the canvas board

Prepping the Canvas Board

First I went a little Jackson Pollock-esque on a spare piece of canvas board–always helps to have extra art supplies around. Don’t agree and hate the extras that come in packs? Email me for my address–I’ll take ’em off your hands.

Actually, even better would be to donate them to your local school system, Ronald McDonald House, nearest Children’s Hospital or Boys and Girls Clubs.

Messing it all Around

Smearing the paint splatter

Next I took a large paintbrush and spread all the splatters around. Since I didn’t need a particular look for the background–most of it ended up covered, anyway–it didn’t need to really look like anything. I added a few more drops of the red, which mostly disappeared, and swirled it with a skewer (leftover from mixing the plaster to make the heart-shaped base.

Mapping out item Placement

Mapping Out Ephemera Placement

While the canvas dried (took overnight since some of the paint was more piled on than others) I worked on the placement of some key items for the mosaic. Some things, like the earring I bought with her while on Sr Trip and the half of the friendship charm from middle school, were directly related to she and I and others were items that I found while digging out the other bits from my old jewelry box or found around the craft room.

These things I wanted in a specific spot so arranged them and then drew a rough outline in pencil to know where not to put the stones and beads and stuff. The glue that gets brushed over the entire surface is clear so you can still see your road map.

Before the Grout

Before the Grout

Again, I’m still astonished at how the grout really pulls all the disparate items together. I mean, yeah, this looks like a total hodge-podge in a what-was-I-thinking sort of way, but it gets better. Never give up, never question, just dive on in.

Great Grey Gobs of Gritty Grout

Great Grey Gobs of Gritty Grout

This is a mid-grout picture. Gorgeous, huh? This was not what I meant when I said it gets better.

Some things were too delicate to glue directly to the plaster, so after I put on the grout and worked it into all the nooks and crannies and leveled certain parts of it I then added the smaller elements to the wet grout. The idea was that they would stick in and save me extra gluing. This mostly worked, some things needed a bit of help.

All Cleaned Up and Nowhere to Go

All Cleaned Up and Nowhere to Go

After 10 minutes I could start removing the extra grout and excavating beads and glass and all. It really did feel like an archaeological dig–hey, great idea for summer projects (outside projects) for bored kids–carefully washing away the extra grout and grit. I managed to uncover almost everything that was supposed to show.

Important lesson: it helps to have things all the same depth. Not only does this lend to a smooth surface, it makes it easier to wipe away excess grout instead of having to dig for it. Tiny stuff can get glued on.

Broken Ties by "Scraps"

the Finished Piece: Broken Ties

After the grout dried I sorta stopped with the picture taking. Basically I was so caught up in the collage part of things that I was just zooming through and not thinking about the blog. But here’s what I did to finish up:

  • pulled out some pictures of her and I, tore one of the two of us at my wedding in half
  • flipped through a nearby Glamour for words and images that worked for the theme or that reminded me of us way back when
  • collaged the painted background with PVA glue (neutral pH adhesive, aka book glue) and a foam brush, diluted the remaining glue and brushed over the whole thing
  • sprinkled on some seed beads to see what would stick
  • adhered the mosaic pieces to the background with a 2-part epoxy–incredibly strong hold, incredibly strong smell; a well ventilated area is key
  • surrounded the mosaic with pearl beads attached with hot glue, added extras to corners and added a few more bits of ephemera
  • took the whole thing outside and sprayed with pink spray paint to make it all blend a little more
  • added captions and notes with silver permanent marker

I still have yet to clean off my work table 😉

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So, do you like seeing things like this–process pictures and descriptions–for a project like this or do you just want to see the finished product?