The Saga of the Ring

Third Time Wife, Wedding Planning

I am walking around sans engagement ring. Again.

It’s in for repairs. Again.

This is, in fact, the third time in 8 months that I’ve had to take the ring in, and every time it’s been because of the setting. The first time (with only a month of wear under it’s band) the setting was loose, the stone was rocking in the setting and it was rattling.

Within 2 days of getting it back it was rattling again but I just chose to live with it. Turns out, they never actually sent it to the jeweler that time (which I suspected when they called me to come get it the next day when they’d originally told me it’d be a week), a fact I found out when I brought it in this time.

But I’m getting a bit ahead of myself.

The second time, this past January, I reached into the fridge with my left hand and one of the prongs caught on the shelf, snapping it clean off. My bad, totally, and since I’m right-handed not something I’d normally do. A fluke. I brought it in, dropped it off on a weekend (because they send out the repairs on Mondays), and got it back within a week. Unfortunately, I could clearly see which prong had been replaced–it was not a seamless job by any means. Kinda shoddy, honestly, but the repair was covered under the Care Plan so I didn’t want to cause a scene.

Here it is, the end of May, and the stone was so loose in it’s setting it was rotating like 30º. It looked like MC Esher had designed the ring. And not in a good way.

So I decided to take it in and talk with them about shoring it up a bit better. Fact is, I don’t think those 4 measly little corner prongs can handle the stone. It’s just not enough. My plan was to explain that this was the 3rd repair in 8 months and that the setting being loose was a constant problem. As a solution, I suggested making the 4 corner prongs double prongs, couching in each corner of the cushion cut stone better, or adding 4 prongs, 1 on each side of the stone at the mid-points. This would make the stone more secure and ensure that I wouldn’t need to constantly bring in the ring for tightening. A win-win for both parties, right?

Wrong.

First I was told that it would be $45 per prong to change the setting. I get that the price of gold has gone up since the last time I had a ring worked on (about 6 years ago, or so, I had an antique ring–WWII era–repaired, all 12 prongs retipped and several re-seated, for around $50), but $180 for 4 prongs? Really?

But that turned out to be a moot point as another associate (I’m guessing the manager from the I’ve-been-doing-this-26-years speech he gave me*) told me that they couldn’t add prongs to this ring. That no jeweler, anywhere, would do it (which, you know, sounds like a dare to me!), and it’d be like creating a whole new ring.

I get that I’m not a jeweler. But I’m not your average consumer, either. I can look at the side of the ring, especially when the stone is cock-eyed, and see there’s a rim running just under the top of the ring, a rim that the stone partially sits on, a rim that runs the entire inner circumference of that setting. You’re seriously telling me that prongs could not be attached to that to secure the primary stone?

Not to mention that there are 26 stones in the halo and band that would not have to be reset, so spare me the “create a whole new ring” crap.

They even asked me if I just wanted to get a different ring.

Uh, no. It’s my engagement ring, it’s the one Todd officially asked me to marry him with, no I do not want a different ring. I want this ring to be sturdy enough to wear every day without rattling around like a bird in a cage!

But, again, we have the “Care Plan,” so I left the ring there. Supposedly Mr. Manager is going to chat with the jeweler, once said jeweler has had a chance to evaluate the situation, and will be calling me to let me know what my options are. Supposedly they’re going to bulk up the prongs that are already there, to handle the sturdiness issues, but we shall see.

I’m not exactly holding my breath.

*He also did the hold-up-one-finger-mid-sentence (my sentence) so he could go back to another client. I get that he was helping someone else, but you finish with them before you come help the chippy out whose not helping me, rather than adopt a supercilious air. I’m willing to bet he works on commission. At this point I doubt I will support buying anything from this store again.

Pretty Book and Flower Icon

Have you had any problems with your engagement ring?
How did the store handle it? Were they willing to work with you
or did they blow you off?

Front view of my paper sculpture for the Art House Co-Op

The Future of the Year

Projects

No to be too lofty or anything, that was my prompt as part of the Art House Co-Op Mystery Project.

I received a card with the prompt on it and a Prismacolor marker in leaf green and had to create a project of some sort and then place it out in public to be “discovered.”

With such a prompt as “the future of the year” I immediately thought about a calendar. About pages fluttering in the wind. “Blowing in the Wind” to be more exact. With something like seeds… flowers? something like a dandelion coursing along the wind.

So imagine my delight in finding a little pocket calendar with a purple flower on the cover, reminiscent of dandelions, to use as the base of my project!

Front view of my paper sculpture for the Art House Co-Op

I removed the first 7 calendar pages–through the end of 2012–and mounted them to card stock, painted them with watercolors in blues, greens, yellows and a red here and there, and then cut out the swirling shapes. Each side was embellished with the provided Prismacolor pen, the painted fronts with a dot-and-dash pattern and the plain backs with hash marks. Of course, if I’d thought about it earlier, I would have used the Morse code for “the future of the year”, but that was an afterthought.

Close-up side-view of my paper sculpture for the Art House Co-Op Mystery Project

The remaining pages of the book were glued together using a Neutral pH Adhesive (altered art friends in the past called it Perfect Paper Adhesive) in groups of 3, then every other section was folded in half to spread out the signature a bit, and secured with washi tape. The extended page groups were painted with green-tinted gesso and edged with more washi tape, the folded groups with purple acrylic. The painted tendrils were attached to the page groups so they looked as if they were crawling out of the calendar.

Rear view of my paper sculpture for the Art House Co-Op Mystery Project

The covers were loosely brushed with the same tinted gesso as well as the promt card, which was then glued to the back cover. The plastic sleeve went back onto the covers to protect it, and a pom pom in purple and white crochet thread was taped onto a toothpick with floral tape and inserted between one of the center page groups and the nearest tendril. To “answer” the question the prompt began, I wrote “begins today” on the rear tendrils. Splatters of metallic watercolor paint were added to the entire project, just to rough it up a bit. (Frankly, I think more of the splatters ended up on me than the pages, but that’s the price you pay for playing with paint.)

View of the weighted base for my Art House Co-Op Mystery Project paper sculpture

Because my paper “sculpture” is fairly light-weight, I decided it needed an anchor. Digging through a  box of “alterables” I’ve been collecting throughout the years, I found the lid of a Harry & David truffle container just the right size and practically the right color.  I painted over the label on the top, loosely brushed the sides (again, with the tinted gesso), and then edged the sides in the same washi tape that edged the page blocks. To weight it down I glued some clear glass pebbles into the base, positioning the pages and pebbles in a way to keep them open and secured.

My hidden message on the bottom of my paper sculpture for the Art House Co-Op Mystery Project

Finally, a message was added to the bottom of the base:

I am not litter! I am a public art project in conjunction with the Art House Co-Op. For this project my artist was given a certain color of marker and a prompt: “the future of the year.” She took those elements & created me! Please take me home or put me somewhere else so others can enjoy me. Or contact  my creator: randomactscomics@gmail.com.

I’m still trying to decide where to place my paper sculpture (I have until the end of the month), but it’s my hope it doesn’t find its way immediately into the garbage. Maybe I’ll even hear from whoever finds it if they happen to look at the bottom!

———————————————

Speaking of the future: I just realized that last week’s post on story-telling brought us to the mid-point in the 64 arts! Are you looking forward to the last half as much as I am?

JC100 | Chocolate Mousse Tartlets

Nibbles

Chocolate Mousse Tartlet

Yesterday I attended (and helped judge) a Mini-Burger Challenge with our local foodie group. In addition to the burger challenge there was also a pie-off (determined by popular vote only), and I thought I’d throw my hat into the ring.

Each pie was supposed to be cut into 16 slices but I knew that was a disaster in the making for my pie plans: chocolate mousse would end up so incredibly messy once it was transported and cut. Instead, I decided to make mine into mini-pies, aka tartlets, and save everyone the trouble.

 Thanks to the JC100 campaign going on through August to celebrate what would have been Julia Child’s 100th birthday on August 15th, I had to go only as far as my inbox to find the perfect chocolate mousse recipe. (This was actually the recipe for 2 weeks ago, but work on my own book has kept me too busy to participate for the first few weeks.) Combined with a tender cream cheese crust borrowed from a pecan tassie recipe I’ve made many times, I hoped to wow my constituents on Sunday afternoon.

Presentation counts for a lot–we eat with our eyes, remember–and while I”m all for the wonders of simple food, simply prepared, this particular occasion called for a little extra touch. When I went to pick up the chocolate (at the local Cost Plus World Market) I happened across a tin of roller wafer cookies filled with orange-flavored chocolate. It was kismet! Julia’s mousse is flavored with both strong coffee and orange liqueur, so these cookies would make a fitting garnish. The only thing was that they were the same color as the mouse, and I was looking for a little contrast. Dipping one in end in candy coating and sprinkling with a bit of freshly grated orange zest gave me just the look I was after.

Tower of Tartlets (chocolate mousse)Sadly, I didn’t even place in the pie-off (we had 6 entries and there were medals for the top 3). Oh, well, the fact that 2/3 of them were gone when we left still tells me people enjoyed them, and that’s all that really matters.

But don’t let that stop you from giving this a try, yourself. They are phenomenal!

Cream Cheese Crust

7 Tbsp unsalted butter, softened
3 oz cream cheese, softened
1 cup all-purpose flour

Combine the butter and cream cheese and stir until evening mixed before adding in the flour and working into a soft dough. A spoon is just going to make a mess once the flour is in there, so use your hands and gently combine everything. Don’t over-knead, though, as this can toughen the dough.

Scoop or shape the dough into 1-inch balls and chill until firm (half an hour or so).

Preheat your oven to 350º F and grease 2 mini-muffin pans or 24 tartlet molds.

Press the chilled dough balls into the molds, making as even a layer as crust as possible.

Blind-bake the crusts for 12 minutes, turning halfway through, and let cool for 5 minutes or so in the pans. Unmold (use a toothpick to help lift them out of their wells) and let cool completely on racks.

Makes about 2 dozen tarlets.

Julia’s Chocolate Mousse aka Mousseline Au Chocolat
(from Mastering the art of French Cooking, Volume 1)

4 eggs, separated
3/4 cup superfine sugar
1/4 cup orange liqueur
6 oz semi-sweet baking chocolate, broken up or chopped
1/4 cup strong coffee
6 oz unsalted butter, softened
1/4 cup finely diced candied orange peel (optional)
pinch of salt
1 Tbsp granulated sugar

From Julia’s description:

Among all the recipes for chocolate mousse this is one of the best, we think; it uses egg yolks, sugar, and butter, and instead of cream, beaten egg whites. . . [It] may be unmolded after chilling, or served in a bowl, or in dessert cups, or in little covered pots. (Note: When served in pots, this dessert is sometimes erroneously called pots de crème au chocolat. French dessert crèmes are custards [this mousse is not].

Making the Mousse:

Separate your eggs into yolks and whites, the yolks into a bowl large enough to hold the final mixture and allow for folding in of the egg whites, the whites into the bowl of a stand mixer (if you have one). Set the whites aside, for now.

Start a pot of water (an inch or so) on the stove so that it’s just below simmering and prepare an ice bath in a pot big enough to accommodate your yolk bowl. Sprinkling a little salt on your ice cubes before adding the water will keep them from melting quite so quickly.

To the yolks add the superfine sugar (granulated sugar pulsed in your food processor is a decent substitute if you can’t locate superfine–it’s not the same as powdered sugar, not that fine) and whisk together until the “mixture is thick, pale yellow, and falls back upon itself forming a slowly dissolving ribbon.” Whisk in the liqueur. (I used Cointreau, Grand Marnier would also be a good option. If you come near this recipe with Triple Sec I will disown you.)

Whisk the yolk mixture over hot water for 3-4 minutes until “foamy and too hot for your finger.” This gently ‘cooks’ the egg yolks to a safe temperature and the constant whipping keeps it from scrambling and causing lumps in your mousse. Move your yolk bowl to the ice bath and continue to whisk until it’s cool, thick, and doing the ribbon thing again. Set aside.

I broke a whisk right about here, so choose a sturdy one to start with.

Combine the chocolate and coffee in a bowl and melt over that hot water bath the yolks just vacated until nice and smooth. Remove from the heat and beat in the butter a bit at a time until nice and smooth, then add the chocolate mixture into the yolk mixture and beat until totally incorporated–no streaks. Now is when you would add the candied peel, if you’re going that way (I did not, I wanted the smooth mousse, not bits of peel laying in wait, but that’s me.)

Beat the egg whites and salt until soft peaks form, sprinkle in the sugar and continue to beat until stiff peaks form and hold when you raise the whip. Doing this by hand is possible, but a pain (though a great arm workout); use a mixer for this step if no other and save yourself.

Stir 1/4 of the beaten egg whites into the chocolate mixture to lighten it, get it nice and uniform, and then oh-so-gently fold in the rest of the whites until it’s all a nice, even, color and consistency. The first quarter of the whites are like a sacrifice, they lose a lot of their loft in loosening up the chocolate and yolks, the remaining whites are what give this mousse a light, airy texture and you want to be gentle getting them incorporated or you’ll stir all the air out of them and have wasted your time. It’ll still taste okay, but the texture won’t be right.

Makes about 5 cups.

Spoon (I used the mini-ladle from my gravy boat) the mousse into the waiting pie shells and chill until set. 2 hours minimum, overnight is better. What doesn’t fit into the shells can go into ramekins or coffee mugs or whatever. I made a double batch of the mousse and it was WAY more than enough for the triple batch of crusts I made plus 6 ramekins and one small casserole dish. Seriously, I could have made a single batch and still had extra, but where’s the fun in that?

In case you couldn’t tell, I have paraphrased the hell out of the source material, though I like to think she would have understood my vehemence against the Triple Sec, seeing as how she was a devotee to butter and cream and all things delicious.

Excerpted from Mastering the Art of French Cooking by Julia Child. Copyright © 1961 by Alfred A. Knopf. Reprinted with permission from the publisher Alfred A. Knopf, a division of Random House, Inc.

Cosmic Cocktails | Virgo | Downtime

Sips

Virgos are the worker-bees of the zodiac, they have a need to be constantly busy, constantly doing, and often doing things for others. They are well-suited to the task-master positions of a Personal Assistant (the power behind the power, so to speak) and their perfectionist tendencies make them great managers, though they do have to watch for being overly critical of others while trying to get everyone under them up to their standards.

Downtime, Virgo Cocktail

Teacher’s pets in school, they’re just the sort to wreck the curve and be slightly less well-liked by their peers. The Virgo will very likely pass this off as jealousy, though, as the compliments of the teachers will bolster their spirits.

Got a problem? Go to a Virgo–they love to give advice and, unlike others, are actually pretty good at pin-pointing what, where, and how you went wrong and helping you fix it. They do it with candor and wit, though, so even the bad news goes down gently.

Unless, of course, you’ve found your way onto their bad side, in which case there is no preparing for the snark that will roll from their lips. And not just that, Virgos bring the guilt trip to new heights and you will feel it acutely when you’ve wronged them.

Of course, they’re also very self-critical and are constantly trying to improve themselves, not just others. Too much of this self-analysis can lead to hypochondria and have them dying of some trendy or obscure (extra points if it’s somehow both) disease every other week. Their natural predilection to stomach aches–when stressed or otherwise hyper-focused–gives them ample opportunity for worrying over medical maladies, so stress reduction and getting things out into the open (not their strong suit) is something every Virgo could use.

Downtime

2 oz Ginger Beer
3/4 oz Frangelico
1/2 oz Cointreau

Combine ingredients over ice in a mixing glass and stir until thoroughly mixed and cool–no shaking, that would be far too disruptive, think chill thoughts. Strain into a fresh glass with a few cubes of fresh ice and garnish with some crystallized ginger.

Usually I base these drinks around the direct personality traits of a person, sign, or theme. Today’s cocktail is a slight departure, in that this is more a Virgoan antidote for their everyday life.

Ginger is a natural stomach-soother in it’s various forms. On our last cruise I brought along ginger pills as well as ginger candies with us just in case of seasickness (I don’t usually get it, but it never hurts to be safe). The ginger beer in this recipe isn’t alcoholic and it isn’t the same as ginger ale–it’s 100 times better than even our favorite, Vernor’s, ginger ale and the brand I buy (Bundaberg) has bits of the crushed ginger floating about in it, still.

The hazelnut liqueur represents the various nut-bearing trees this sign is associated with and the orange is just a nice complement to them both. The liqueurs also tone down the bite of the ginger beer which some people find objectionable (not me, of course, but some).

So Now What?!

Third Time Wife, Wedding Planning

Booking our venue also meant we checked off booking our caterer, lodging, and even our Day of Coordinator since they all came part and parcel with the location.

But now what am I supposed to do?

The other week our venue sent us a handy schedule that went over when we would meet (starting 6 months out) and what we would discuss and decide on at those meetings. Now, with 11 months until our next scheduled anything, I might have to nudge that first meeting a little earlier. After all, making so much myself means needing a better picture of pretty much everything a bit farther in advance.

Until then, there are a few things I can get started on:

  • Save the Date design. They don’t have to go out for another 5 months, at the earliest, but I have a very specific design in mind and getting started on it certainly won’t hurt, especially now that we have our location.
  • Wedding Wed-site. Yes, we have this blog, but I think a general info site, away from all the sneak previews and such, might be a good idea for some of our less-curious guests.
  • The Dress. I’ve gone dress shopping twice, already, just to get a feel for what I liked and what looked good, but I’m still not set on one design versus another. There’s also the exploration into making my own that bears consideration.
  • The Flowers. Even though our florals will be faux, I can still figure out what styles and looks might work for us and start making the components so they can be assembled after we have that first planning meeting and I know just how many centerpieces, etc. we’ll need.
  • The Rings. We’ve decided to go in a different direction than originally planned for my wedding band, so the hunt is on to find something that suits me to a tee.

Hmmm, lots of planning and research involved in most of the above. Good thing I have stacks of wedding magazines I’ve barely even flipped through to help me narrow down my choices!

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Did you have some decision downtime during your preparations?
If so, what did you do to keep yourself busy?